Chinese Blue-and-White Ewer Made for the Islamic Market (清青花执壶)
China, Kangxi Period (1662–1722)
Porcelain with underglaze cobalt blue decoration; later metal lid
28 cm high
外销伊斯兰市场
中国，17世纪晚期——18世纪早期，清朝，康熙年间（1662年——1722年）
高28厘米
28 cm high
外销伊斯兰市场
中国，17世纪晚期——18世纪早期，清朝，康熙年间（1662年——1722年）
高28厘米
A4906
Further images
This pyriform ewer is decorated with a violet-toned cobalt blue on white ground. Each side of the ewer is decorated with four floral sprays and a central tear-shaped floral medallion bordered by lappets and a lozenge pattern underneath. The neck with a bulbous drip guard is decorated in stripes and above and below the drip guard are upright and upside-down stiff leaves. The S-shaped spout is decorated with cloud motifs, terminating with a flower-shaped tip. The flat handle has hatched bands of painted decoration. A lid has been added to the ewer at a later date. Decorated with a fleur-de-lys at the centre of a wheel motif, it is likely a European addition.
This ewer was made during the Kangxi period (1662–1722) in China; however, both its form and decoration are based on Indian metal prototypes. A 17th-century Indian bronze ewer from North India, in the private collection of Dr Alvin O. Bellak, Philadelphia, USA, has similar decoration to our porcelain ewer specifically with regards to the upright and upside-down stiff leaf decoration on the neck and in the tear-shaped medallion on the sides of the ewer (illustrated in Zebrowski, p. 163, fig. 229). Zebrowski states that the Bellak metal ewer is the ‘finest bronze ewer of this type’ and was initially discovered in Syria, as were many other important Mughal period vessels.[1] This further demonstrates the important trading connections between the Middle East and China, which continued throughout the Mughal period to meet the needs of the growing export market.
See a nearly identical pair of Kangxi blue and white ewers in the Topkapı Sarayı Museum, Istanbul (accession no. TKS 15/3995).[2] An iron-red Kangxi ewer in the Topkapı Sarayı Museum (accession no. TKS 15/3995) shares its form and decoration with the present example. Another similar iron-red Kangxi ewer is in The Victoria and Albert Museum, London (accession no. 240B&C-1876).
[1] Zebrowski, M. Gold, Silver and Bronze from Mughal India. London: Alexandria Press in association with Laurence King, 1997, p. 166
[2] Krahl, Regina, Nurdan Erbahar, and John Ayers. Chinese Ceramics in the Topkapi Saray Museum, Istanbul : A Complete Catalogue. Published in association with the directorate of the Topkapi Saray Museum by Sotheby’s, 1986, p. 1007, fig. 2148.
This ewer was made during the Kangxi period (1662–1722) in China; however, both its form and decoration are based on Indian metal prototypes. A 17th-century Indian bronze ewer from North India, in the private collection of Dr Alvin O. Bellak, Philadelphia, USA, has similar decoration to our porcelain ewer specifically with regards to the upright and upside-down stiff leaf decoration on the neck and in the tear-shaped medallion on the sides of the ewer (illustrated in Zebrowski, p. 163, fig. 229). Zebrowski states that the Bellak metal ewer is the ‘finest bronze ewer of this type’ and was initially discovered in Syria, as were many other important Mughal period vessels.[1] This further demonstrates the important trading connections between the Middle East and China, which continued throughout the Mughal period to meet the needs of the growing export market.
See a nearly identical pair of Kangxi blue and white ewers in the Topkapı Sarayı Museum, Istanbul (accession no. TKS 15/3995).[2] An iron-red Kangxi ewer in the Topkapı Sarayı Museum (accession no. TKS 15/3995) shares its form and decoration with the present example. Another similar iron-red Kangxi ewer is in The Victoria and Albert Museum, London (accession no. 240B&C-1876).
[1] Zebrowski, M. Gold, Silver and Bronze from Mughal India. London: Alexandria Press in association with Laurence King, 1997, p. 166
[2] Krahl, Regina, Nurdan Erbahar, and John Ayers. Chinese Ceramics in the Topkapi Saray Museum, Istanbul : A Complete Catalogue. Published in association with the directorate of the Topkapi Saray Museum by Sotheby’s, 1986, p. 1007, fig. 2148.