This wooden box is of cushioned square form and decorated all over with inlaid mother-of-pearl with repeating patterns of highly stylised flower-heads on a tortoiseshell ground. The escutcheon rendered in mother-of-pearl is of circular shape. The box sits on four short wooden bun feet.

The form of this box can be found in a similar workbox from a private collection in Arequipa, Peru, which according to Campos may have been used to store needlework and intended for a family’s parlour room inside an important Colonial house.[1] The box published in Campos is, however, dissimilar in its decoration to our box: it has darkened wood carvings on the edges while our box has the rare depiction of birds. There is an 18th-century Peruvian jewellery box in the Museum of Spanish Colonial Art Collection, Santa Fe, New Mexico, which shares striking parallels with our box, seen in the stylised tulips and flower heads, but does not include any representations of birds. Another very similar box, mounted in silver, is in the Hispanic Society Museum, New York (accession no. LS2325) and dated to c. 1700. A large contador cabinet, dating to ca. 1680–1700, with near-identical flowerhead pattern, is in the Dallas Museum of Art (1993.36.A-EE).